Seven generations of music are said to be held by a Sape Master living in the Bakun Dam resettlement scheme, 180km southeast of Bintulu.
The Sape is one of the more well known traditional instruments of Sarawak, but few remain who can perform the music of former generations and in the style that represents that heritage.
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Bidayuh travel to the Bakun Dam resettlement scheme and hear from the resettled Kenyah at Sungai Asap and see first hand the results of relocation. They also meet with Iban at Rumah Agi who fought to retain customary right to their own land in the face of palm oil exploitation.
Continue reading We Can’t Eat The Road →